About Mike
Mike Boxer
Founder / President
Halfway Coherent Productions
“[Mike] Boxer is becoming synonymous with excellent a cappella music.”
— Thomas King, Recorded A Cappella Review Board
For over a decade, New York City’s Mike Boxer has spent more time consuming, creating and cultivating contemporary a cappella than anyone probably ever should. After directing Binghamton University’s Kaskeset and winning the ICCA finals with the Binghamton Crosbys in college, he forayed into professional a cappella as a founder and director of award-winning professional groups Six13 and One Guy Upstate, and founded Halfway Coherent Productions, which has produced dozens of acclaimed a cappella recordings, including several groundbreaking releases within the Jewish a cappella community. A champion of that genre, Mike produces the annual Jewish Performing Arts Festival and bi-annual Best of Jewish A Cappella CD series, and hosts the KolCast, the monthly podcast dedicated to Jewish a cappella. He is an arranger who has penned more than 200 a cappella arrangements performed by dozens of groups worldwide, a music director educator who leads workshops and consults with ensembles and productions of all kinds, and a performer who has worked with a long list of artists, ensembles and agencies both live and in the studio. He has worked as a public school music educator and as administrative director at Transcontinental Music Publications.
Audio / album production
With the current state of modern production techniques, groups’ potential to create incredible studio projects, regardless of their background, history or status, has skyrocketed. Let us help guide your group’s recordings to the next level and release the groundbreaking new record you’re capable of!
Producing your group’s recording is a multi-phase, daunting task that isn’t always all that intuitive. But we know the process well, and we’re here to help you and guide you to your best every single step of the way, whether you’re enlisting us to take you from the very start to the very finish, or just need us to fill in the blanks and provide only some of the services you’ll need.
Arranging
If you’re in need of an exciting, brand new arrangement tailor-made to your a cappella group’s style, strengths and specifications, this is where you’ll find precisely what you’re looking for — literally. Mike Boxer is an experienced, award-winning arranger who’s charted tunes for a cappella groups worldwide, from high school to the pros, and he’s currently available for new commissions and ready to work with you to provide exactly what you need to add that spark to your group’s repertoire.
Interested in a more affordable solution? Dozens of ensembles worldwide have made use of one or more of the over 200 arrangements in Mike’s back-catalog, most of which are available for purchase. Contact us if you see something you like!
Tracking
It’s important to start out on the right foot — and tracking is step one. There are lots of things post-production can improve, but it’s no substitute for top-notch performance in the studio and quality recording technique. Capturing each of your group members individually, cleanly and clearly ultimately allows for the most flexibility with editing and mixing — and most importantly, the right guidance during the session ensures the right approach to the vocal performance. The dynamics, energy, tone, intensity, emotion and everything else that come with your delivery are something no computer can fix.
We employ a full setup of professional-grade equipment including Neumann mics, ProTools and i7 processors, but it’s the guys behind the controls that prove most valuable — our affordable hourly rates include Mike and/or other experienced engineers well-versed not just in the technical logistics but also in how to provide thoughtful, encouraging direction and vocal coaching where appropriate. Everything we do is about helping your group reach its full potential.
The best part: the studio is wherever you are. We come to you — just provide us with a quiet room that’s comfortable and convenient for you, and we’ll set up shop, saving you the significant expense of travel, not to mention your valuable time and energy.
Editing
After tracking with us, we’ll have captured your group at their best. But noone’s perfect. During the editing phase, however, we’ll get you pretty close
Before we move to mixing, using audio manipulation software we painstakingly smooth out pitch, timing and rhythmic issues on each vocalist’s track, whether it requires smoothing out a rough edge or two or a complete overhaul, so that your group’s performance is 100% uniform, tight and in tune. The character and delivery, of course, remains intact.
We’ll do the heavy lifting as you go about your business — when we’re done, you’ll receive an mp3 to approve. If tracked appropriately, we can also perform editing work on sessions tracked by group members or other outside engineers, regardless of where they’re located.
Painfully few live performances are literally perfect — but in the studio, every one can and should be!
Mixing
After we’ve captured your group in tracking and perfected the performance in editing, we move to mixing and tie it all together. We’ll adjust levels and automation, effects, equalization, samples and sequencing and a whole lot more. The right balance gets everything sitting just right and fuses the many elements of your recording into a unified, streamlined final product, while accentuating its strengths and concealing its weaknesses. This part of the process is probably the most subjective, and where the track gets most of its character.
Like editing, mixing is done via remote — we can even work with tracks you record yourself at or at another studio, in the New York area or even thousands of miles away. Once we get a solid idea of what you want to see out of your mixes, we’ll move forward and send you mp3s of first drafts, which you then either approve or revise and send us back to the drawing board.
Style and identity varies heavily from one group to the next (and more often than not, from one group member to the next!). Whether your group’s artistic vision is clear and distinct or needs our help with fleshing out, our ultimate goal is to build a final product together with you that closely matches that vision. So we’ll be listening closely to what you have to say about it.
Are you a purist or a progressive? What existing a cappella tracks appeal to you the most, and what do you like about them? This is your project — you’re placing the technical execution in our hands, but we’ll carry it out armed with a strong sense of how you envision your mixes, so that ultimately, we’re simply an extension of you and of your creative vision, and your final mix is simply its best possible embodiment.
Consulting
We’ve been around the block more than a few times in terms of seeing an album from the very start to the very end — and having someone like that in your corner can be invaluable, whether it’s your first time or your 100th.
So whether you need someone to help you navigate the big picture, or just some guidance with any one of the components of the overall process (never underestimate the value of just one more good set of ears!), we’re here to help. Our forte lies in arranging, tracking, editing and mixing — but we work with an extended professional network of the best in the business for graphic design, mastering, replication, distribution, marketing, and anything else you can think of.
Workshops and consulting
Bringing out the best in people, putting together the pieces of something great has always been one of my favorite things to do. As a music educator and director I’m fortunate to have had the privilege of doing so often, in environments from the most advanced and professional to the most basic and challenging.
Whether it’s a master class for your school or community, a hands-on workshop with your ensemble or simply being a fresh set of ears for some simple feedback, I’d love to work with you.
Areas of focus aren’t limited to just performance critiques. Topics I’ve covered include how to be effective and efficient with:
- Arranging
- Audio / album production
- Auditions
- Competing
- Interpersonal issues
- Leadership
- Live sound tech
- Member management / group “HR”
- Musicianship
- Rehearsals / time mangement
- Repertoire selection
- Set lists
- Sound checks
- Vocal percussion
- Warming up
Contact me and let’s talk about what you are and where you want to be — I’d love to be a part of helping you get there.
— Mike
Client list
Previous and current a cappella / vocal clients include:
- A.K.A. Pella
- BaRock Orchestra
- Stacy Beyer
- The Binghamton Crosbys (Binghamton University)
- The Binghamtonics (Binghamton University)
- Yosef Chaim Bloch
- The Blue Notes (Wellesley College)
- B’samim / Spicerack Music
- The Chordials (Cornell University)
- The Clef Hangers (University of North Carolina)
- CMH Records
- Central Council of Jews in Germany
- Da Capo
- Dropout (formerly CollegeHumor)
- Duwende
- Michael Friedland
- Dovid Gabay
- Sam Glaser
- Golda Och Academy
- Jordan Gorfinkel
- Yossi Green
- Hadassah International
- The Hamsa Boys
- Harmonia
- The Heschel School
- Hooked On Tonics (SUNY Oneonta)
- Kaskeset (Binghamton University)
- Kol Halayla (Rutgers University)
- Kol Zimra
- Last Call (Cornell University)
- Lehava Singers
- The Maccabeats (Yeshiva University)
- Cecilia Margolis
- Metropolis
- Miami Boys Choir
- Middle School 391 (NYC)
- MSN
- Ophie Nat
- NCSY
- Avi Newmark
- One Guy Upstate
- The Orthodox Union
- Out of the Blue (Yale University)
- The Pegs (Binghamton University)
- Pizmon (Columbia University)
- The Rhythm Method (Binghamton University)
- Sameach Music
- The Shabbatones (NYC)
- Six13
- The Shenaninganns (Gann Academy)
- S’madar (Columbia University)
- Chaim Spero
- Yitzy Spinner
- Talent 101 (Off-Broadway Production)
- Tizmoret (Queens College)
- Transcontinental Music Publications
- Jane True
- Union for Reform Judaism
- The Vibrations (Binghamton University)
- Voices For Israel
- Sergei Yevelev
- The Y-Studs (Yeshive University)
- Yossi Zweig
Testimonials
“[Mike] Boxer is synonymous with excellent a cappella music.”
Thomas King, Recorded A Cappella Review Board
“Regarded as the go-to guy for all things Jewish a cappella, Boxer is one of those leading the way in helping to popularize the medium.”
Gary Shapiro, The Jewish Forward
“Mike combines technical ability with a constant flair for new and creative sounds. His is the type of work that elevates the genre. You will be hard pressed to find a more enthusiastic and supportive producer.”
Max Buckler, Binghamton University’s Kaskeset
“Working with you is such a pleasure – the amount of professionalism, creativity, and late nights that you put in is incredible. Plus, your clear-headedness reduces the craziness and stress. We’re so happy with the result we got and we’re definitely looking forward to working with you again!”
Mordy Weinstein, Queens College’s Tizmoret and Yeshiva University’s Y-Studs
“We extend a warm and loving thank you to Mike Boxer … for your guidance and support throughout the process, and welcome to the Out of the Blue family.”
Yale University’s Out of the Blue
“The brilliant production team of seasoned Jewish a cappella veteran Mike Boxer has produced a CD that is enjoyable, meaningful, and easy-listening, all at the same time.”
Yeshiva University’s Maccabeats
“Mike Boxer’s arrangements hold up with some of the best I’ve heard.”
Trey Harris, Recorded A Cappella Review Board
- 18 tracks chosen for various “best of” compilations
- 11 Contemporary A Cappella Recording Awards (CARAs) and 18 nominations
- (four currently pending announcements of winners)
- Four albums chosen by the Recorded A Cappella Review Board as “Top Picks of the Year”
- Winner (with special awards), International Championship of Collegiate A Cappella
List being compiled! Check back soon for more tooting of our own horn…
Portfolio
Coming soon.






